Saturday, May 5, 2018

The Book of the Dead by Robert Richardson (1989)—Post 7

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The 1989 hardcover from St. Martin's Press
Thirty years ago I belonged to some Doubleday book clubs—mystery and science-fiction among them.  (The clubs are still around, but now they are owned by Book Span, a division of Random House, which also swallowed up Doubleday long ago.) In 1990, through the Mystery Guild Book Club, I acquired The Book of the Dead by Robert Richardson. I bought it because it was described as a book within a book, a mystery within a mystery—and the secondary book was a Sherlock Holmes novella to boot!  Well, books within books make my heart sing. I looked forward to reading it.
 
The protagonist, that is to say, the wannabe detective is a playwright and novelist named Augustus Maltravers. The Book of the Dead is the third novel featuring Maltravers, the first two being An Act of Evil and Skeleton Key.  Maltravers turns up in a series of six novels, the final three being The Dying of the Light, Murder in Waiting, and The Lazarus Tree. In 2014 and 2015, Endeavour Press reissued all six books as Kindle e-books, and they seem to be selling quite well.

Now, despite all my excellent intentions and my fondness on many levels for the book’s subjects and structure, for good or ill, it went unread these last 28 years, but I determined I would finally crack it open, read it, and comment upon it for this, my “Ruminations” blog.

Of course, since there are two books in one, something should be said about both of them. I’ll begin with the Sherlock Holmes story.  Its title is "The Attwater Firewitch" and it constitutes 47 pages of this 183-page hardcover novel. Since 1974, Holmes pastiches have been streaming endlessly from a bottomless well, books and stories numbering into the thousands. And most of them follow the traditional Conan Doyle model of having Watson sit down and craft a narrative version of a Holmes adventure. I have not read but a smattering of these; and those that I have read, usually do a fair-to-great job of approximating Watson’s vocabulary, cadence, tone, and so forth. Those pieces that cannot meet these criteria jarred me out of my pleasant suspension of disbelief.  Well, in point of fact, Richardson’s attempt at crafting a story as though he was Watson is not especially successful, at least to my “ear.” His Watson simply sounds too modern.

Then, there is the story, or plot, of this pastiche. It is mainly a new take on The Hound of the Baskervilles and offers little satisfaction...at least in 2018; it may have "played" better in 1989. Its inclusion in a contemporary mystery novel, though, implies that this Holmes story must contain some element that helps Maltravers solve the contemporary mystery...and indeed it does, but in such a minor, almost insignificant manner, that I felt the author, Richardson, was stretching, and that he really ought to have tried harder.
The Endeavour Press e-book

As to the Maltravers mystery, it’s adequate. The novel is a by-the-numbers novel of manners set in a large and ancient manor house. To my taste the solution to the murder is a bit of a deus ex machina, while Booklist says it is a thoroughly English mystery. Frankly I’ve not read many modern English mysteries. Nevertheless I get the impression that such works are expected to harbor as a matter of course some dryness, some OCD tendencies, servants, and some obligatory scenes of elegant dining, either breakfast or dinner, with many people sitting around the table.

I suppose the $64,000 question at this point is, Was it worth it?—the book being on hold for 28 years? Of course I could say that I’m mainly dissatisfied with the book, as I expected more from the book-within-a-book device, especially after frequently thinking about the book for 28 years; but who am I to judge given that a glance at customer reviews shows that lots of people love the book.
 

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